A Seattle underground supergroup of sorts, Big Bite take most of the best parts of Northwest rock music, stir them all around, and kick them up along with a cloud of dust. Their eponymous debut full-length is indicative of both their alchemy and ability to veer away from formula.
On the first new full-length under the beloved Dear Nora moniker in almost twelve years, Katy Davidson's songs are as riveting and alluring as they've ever been.
This week's Review Revue spotlights the EP Wattsland by Addie Brik. See what the KCMU DJs thought back in the day.
This week's Review Revue spotlights the album Fear of God by The Bats. See what the KCMU DJs thought back in the day.
After months of anticipation, Upstream Music Fest + Summit starts tomorrow, June 1st. If you're looking for some great local music to check out during the festival's three days, Martin Douglas has you covered.
Wooden Shjips' fifth studio album possesses a calm and levity which belies the near-apocalyptic summer which inspired it. Frontman Ripley Johnson spoke to KEXP about V. and the psychic healing of making music when the world around you is quite literally on fire.
This week's Review Revue spotlights the album Kiss the Lips of Life, by Brilliant. See what the KCMU DJs thought back in the day.
This week's Review Revue spotlights the album Sharp as a Needle by The Barmy Army. See what KCMU DJs thought back in the day.
On their new album, the Portland band breaks their signature post-punk with a hammer and glues it back together with dissonance.
In 2018, KEXP celebrated the 30th anniversary of local record label Sub Pop with a four-month retrospective, "counting up" every catalog number in their vast discography of over 1,200 releases. Dig into the archives of our catalog coverage, featuring in-depth coverage on the history of their releases.
