In the first installment of (perhaps) a new series, Martin Douglas has a weird, weird time with three local singles.
On her tenth full-length album, the Portland singer/songwriter explores issues of safety and security through the imagery and beauty of her songwriting.
It's kind of an understatement to say a lot can change in five years. Moondoggies frontman Kevin Murphy opens up about the half-decade period between the band's full-length records and the art of writing rock songs.
On their new EP, titled G u s h, Powerbleeder master the fine art of not flaunting all of their musical talents simultaneously.
On their debut album, the Seattle trio write songs that make suffering anxiety sound like the wildest basement party in town.
On her stunning debut album, the Portland singer/songwriter approaches her craft with the dedication and attention many people reserve for their gardens.
Mount Eerie's 2017 album, A Crow Looked at Me, was a stunning and devastating document of loss. On Now Only, Phil Elverum attempts to move on with his life while recognizing the grief that is still -- and will likely always be -- with him.
On his new album, the Seattle producer takes a (not exactly) dastardly turn which strongly reflects the unpredictable, self-governing nature of his career.
Olympia noise-wielders Broken Water formed in 2008. By 2015, they broke up almost without a trace. For his first act as Throwaway Style's new columnist, Martin Douglas surveys the trio's all-too-brief tenure.
DoNormaal, The Exploding Hearts, and finding the thread that connects Pacific Northwest music
Seattle hip-hop Kung Foo Grip duo teams up with #based producer Keyboard Kid for their most ambitious work yet
Tacoma's Buje Mane doesn't consider himself a rapper, but he's finding a way to pave new territory in the genre.
