After over a dozen full-length albums, Damien Jurado is still crafting impeccably written songs about both small and vast spaces and the people who occupy them. Listen to The Horizon Just Laughed in its entirety tomorrow at 8:30am on the Morning Show with John Richards.
In the first installment of (perhaps) a new series, Martin Douglas has a weird, weird time with three local singles.
On her tenth full-length album, the Portland singer/songwriter explores issues of safety and security through the imagery and beauty of her songwriting.
It's kind of an understatement to say a lot can change in five years. Moondoggies frontman Kevin Murphy opens up about the half-decade period between the band's full-length records and the art of writing rock songs.
On their new EP, titled G u s h, Powerbleeder master the fine art of not flaunting all of their musical talents simultaneously.
On their debut album, the Seattle trio write songs that make suffering anxiety sound like the wildest basement party in town.
On her stunning debut album, the Portland singer/songwriter approaches her craft with the dedication and attention many people reserve for their gardens.
Mount Eerie's 2017 album, A Crow Looked at Me, was a stunning and devastating document of loss. On Now Only, Phil Elverum attempts to move on with his life while recognizing the grief that is still -- and will likely always be -- with him.
On his new album, the Seattle producer takes a (not exactly) dastardly turn which strongly reflects the unpredictable, self-governing nature of his career.
In 2018, KEXP celebrated the 30th anniversary of local record label Sub Pop with a four-month retrospective, "counting up" every catalog number in their vast discography of over 1,200 releases. Dig into the archives of our catalog coverage, featuring in-depth coverage on the history of their releases.
