Seattle noise fans know when you see "Debacle Records presents" at the top of a show poster, you are in for something. New York's Pharmakon may be on the fantastic Sacred Bones Records, but I think she'd be welcomed with open arms into a lasting relationship with Debacle Records, who supplied the r…
Where do you draw the line between the man Ariel Rosenberg and Ariel Pink, the rock icon and sex god character he's brewed up to give to all of us over the last 15 years? That's not a rhetorical question - honestly, I couldn't tell you. I don't think there's a good answer. But then again, with a re…
Every year, Seattle gets a small taste of Sasquatch! Music Festival at home four months before the festival takes place. Sasquatch! Launch Party is a great event every single year, both with or without context. As the rain beats down on the dreariest months of the Seattle year, we all dream of Memo…
A mosh pit of all smiles is a beautiful and wonderful thing. Real mosh pits are great to start with. Not fake circle pits where following the leader dominates any true form of atomic self expression, but a real "I drank a little too much and don't mind being throw around by the couple people who re…
The problem with cool stuff is there's always a process by which it becomes uncool. A handful of true artists perfect a craft and then an uncanny number of hackneyed copycats sample bits and pieces out of context and bastardize the whole thing to no end. This is maybe no better exemplified than wit…
Death Cab for Cutie is a band that embodies change. From the light-hearted melancholy of "Photobooth" to the heavy-handed post-marital blows of "Cath...", Death Cab have shown us hundreds of ways in which circumstances shift and we find ourselves to be different people when the light changes. We mi…
Last year, Zola Jesus returned to the scene with a new look, a new label, and new vastness that she's never shown off before. Taiga, her first LP on Mute, puts Nika on a new plane of existence, much more natural and much stronger than she's ever presented herself to be before. And with it, she has …
18 year old Swedish rapper Yung Lean (Jonatan Håstad) may be one of the most polarizing, confusing faces on the independent hip-hop scene of the last few years. Pitchfork hates him. Fader loves him. The rest of us find ourselves somewhere in between, trying to balance all of the bizarre parts of th…
In 2018, KEXP celebrated the 30th anniversary of local record label Sub Pop with a four-month retrospective, "counting up" every catalog number in their vast discography of over 1,200 releases. Dig into the archives of our catalog coverage, featuring in-depth coverage on the history of their releases.
