The most anticipated performance of the weekend was also the most divisive, and as the biggest audience of the weekend walked away from the Gorge one last time, everyone had something to say about Kendrick Lamar's closing set. As the first show played since the release of his instant classic To Pim…
Although it was their third time at the festival, Tame Impala's Sasquatch 2015 set was their first appearance at the Gorge that was both planned and executed smoothly. They were a last minute replacement in 2010 and an airline misplacing their gig forced the band to play the far-too-small Yeti stag…
From the beginning, much of the praise directed at Courtney Barnett has been centered on her talents as a clever, affecting lyricist. While that praise is completely deserved – you don’t get away with naming your debut Sometimes I Sit and Think and Sometimes I Just Sit unless you’ve got the incisiv…
"This is our first rap song." Sharon Van Etten may have an extraordinary talent for extracting every last excruciating detail of her romantic failings, but it can't be said that she doesn't have a sense of humor. One of a handful of acts to play during Monday's brief period of cloudy skies, Van Ett…
Although there was plenty of star power on the final day of Sasquatch, there was a clear standout during the early afternoon on Monday, and it wasn't just because brought a Godzilla figurine onstage with her. When an assured Natalie Prass opened with an electric version of "Bird Of Prey", it was cl…
All Things Must Pass(Directed by Colin Hanks, USA, 2015)
Of all of the late night sets at Sasquatch 2015, none was more subtle than James Blake's. Unlike most of the nighttime sets in the Gorge, Blake's performance revealed itself gradually rather than blasting the audience over the head with lights and sound, and it was all the more effective because of…
The Glamour & The SqualorUSA | 2015 | 82 minutes | Marq Evans
Future Islands has certainly blown up over the last year, as evidenced by the large crowd they drew to their main stage set at Sasquatch. This Baltimore, Maryland band is one of those rare groups whose breakthrough success essentially comes down to one single performance. In their case, it was thei…

In 2018, KEXP celebrated the 30th anniversary of local record label Sub Pop with a four-month retrospective, "counting up" every catalog number in their vast discography of over 1,200 releases. Dig into the archives of our catalog coverage, featuring in-depth coverage on the history of their releases.