Peter Michel seems to be living in the breezy midpoint in between lying in bliss and getting lost in the moment, so it's fitting that the Seattle' musician and his comrades in Hibou opened the Bigfoot stage on a day that fell into that same feeling. Most of Hibou's catalog runs at a midtempo pace and is outfitted with Michel's glimmering guitar lines, endlessly gliding over cuts from his self-titled debut. "I've seen so many bands on this stag over the years," said Michel a few songs into the set. "It's such a privilege to be up here." Michel's sentiment is one that's been heard on the Bigfoot stage a number of times, but it never gets old seeing a Seattle local take a place on a larger stage than they're used to and feel completely at home.
It's been close to six months since La Luz left Seattle for Los Angeles, so Sasquatch served as a sort of homecoming for the surf rock quartet. (Notably, they were met with weather that was far more Californian than Northwestern.) The move hasn't dulled their reverb-drenched edge one bit however, a…
Drenched in color from the LED screens behind him, Chet Faker began his Friday closing set at Sasquatch! Music Festival in style with the help of his four piece band. Alternating between a full band and playing solo on his keyboard and mixer, Chet visually displayed the duality in his music. Often …
While boisterous hip hop (A$AP Rocky) and sleek pop house (Disclosure) dominated the main stage, Todd Terje's silvery disco was the perfect late night antidote to those acts. Though his usual backing musicians were absent, Terje played what very well could be both the smoothest and most subtly bril…
Save for the jam band-heavy lineup of the festival's inaugural year – it's weird to think about now, but in the early 2000s, jam bands were as prominent at festivals as EDM is now – Sasquatch has long been an indie rock heavy festival, and even though this year's lineup is slightly less heavy on gu…
