South Carolina husband an wife team Shovels & Rope threw an infectiously fun clap and dance along set on the Sasquatch main stage. Somehow this dynamic duo managed to fill the enormous bowl with roots rocking americana sound, trading off on guitar, drums, keys, harmonica, and sharing beautiful close harmonies. A lot of the draw of Shovels & Rope is how much they seem to be enjoying each other, and enjoy performing. "Thank you guys so much, this is so fun," drawled Cary Ann Hearst, as Michael Trent gave an amiable nod, and their grins throughout the set lent her thanks an air of humble authenticity. On some songs they lean in to share a single mic, drawing kissably close. It's cute, but they also aren't hesitant to employ a big synth bass line and blazing electric guitar on some more upbeat songs. It's also fun to watch them trade duties on guitar, drums, and keys throughout the show. They played a set mostly made up of 2014's Swimming' Time and a number of tunes from their break through 2012 album, O' Be Joyful. They went from that album's title track into its single "Birmingham", a great double header of feel good foot stomping. Newer tunes like the southern gothic rocker "Evil" showed a greater dynamic range. This is the group's third time playing Sasquatch, but their first time on the main stage. Theirs has been a deserved rise in popularity, and it is hard to resist this sort of organic and joyous get-down on a sunny day at The Gorge.
British psych pop four-piece Temples have garnered a lot of attention in the short time since their formation in 2012. Their 2014 debut, Sun Structures, made its way onto lots of best-of lists. Consequently, the Bigfoot stage was considerably crowded as they launched into the single "Shelter Song".…
"Wait, they're here?" That's how most people reacted when they heard Ex Hex were playing, mishearing their name for that of the nocturnal London trio. But that confusion soon turned to either pleasant surprise or completely expected enjoyment as Mary Timony spent an hour unleashing riff after riff …