The best collaboration projects seem to happen effortlessly. When two masters of their craft come together, both bringing all their respective elements to the table and begin mixing them, oftentimes, they end up with a heterogenous mixture, swinging unevenly between two opposing poles. Some pieces weigh heavily on the side of one artist, while others fall to the second. Thus, the supposed "collaboration" at hand is just a piecemeal effort to forcibly combine two animals that don't belong together. All of the above describes most collaboration projects, but none of it describes what we're given this week from the Montreal team up of Suuns and Jerusalem In My Heart. Last time we saw Suuns, they were painting dystopian Images Du Futur, mixing dark electronic textures with a gritty rock sound for maximum impact. Meanwhile, Radwan Ghazi Moumneh has been expanding his sonic and visual explorations as Jerusalem In My Heart in bigger and braver ways. A champion sonic engineer with a knack for dark ambient textures, Moumneh travels through the year between Montreal, Beirut, and Lebanon, integrating a fascinating mixture of landscapes and cultures into his work. But together, instead of piecing their sounds together side by side, Suuns and Jerusalem In My Heart have made something entirely new, and it is incredible. Almost entirely instrumental, clocking in at about 36 minutes of visceral, vivacious experimental rock, Suuns and Jerusalem In My Heart takes the work of both groups to new heights, and soundtracks a film that exists only in a world apart.
Elsewhere, Moumneh brings less world music influence and puts on the hat of the sonic engineer, bending and twisting and expanding the Suuns sound to become more ambient and atmospheric while still retaining the driving immediacy we've come to love from them. Both the album's lead single "Gazelles In Flight" and the album opener "2amoutu I7tirakan" operate on the same wavelength, bouncing uneven percussion and drum machines around oscillating synthesizer melodies. "Gazelles In Flight" has notes of Philip Glass at its heart, moving about sporadically, while maintaining a heavy-hearted spirit throughout. Meanwhile, "2amoutu I7tirakan" plays the part of the opening credits, building immense amounts of anticipation over six minutes and exploring all kinds of lush, vibrant terrain. The most Suuns-esque track on the record by far is "In Touch", which feels like a more ambient, self-assured follow up to the moody creepiness of Images Du Futur. Only here and in the third quarter interlude of "Leyla" do we hear Ben Shemie's vocals so forward. As the synth and bass drum beat forward, naked guitar doubles Shemie as he sings "Lord, you're strange... Lord, lord, you've changed". It's all wonderfully moody, unsettling stuff, and some of the best stuff we've heard from Suuns yet. Together with Jerusalem In My Heart, they make this collaboration project a worthy and memorable addition to their excellent discography.
Suuns and Jerusalem In My Heart is out now on Secretly Canadian. Grab it at your local record store on CD or vinyl. Suuns just finished up a string of tour dates with Disappears. There are no plans to tour the record at this time, but check back to Suuns' Facebook page for more information as the year goes on.
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