On the show this time, it’s the classic reggae sounds of Seattle legend Clinton Fearon.
On the show this time, it’s the irreverent satire of Sweden's Viagra Boys.
On the show this time, it's the unsung legends of post-rock — Mexico City’s Austin TV.
On the show this time, it's El Sonido Amazonico with Peruvian psych-cumbia legends — Los Mirlos.
Roughly 2% of producers are women. Femme House is trying to change that.
Contributor Mia Imani shares a little bit of Alicia Key’s personal story and discography and shares her own memories set to the key of Alicia.
For our series, Mix & Match, Jasmine Albertson creates a cocktail inspired by a Seattle band. This week she features Linda From Work alongside Martin Douglas.
John Goodmanson on the craft of producing, some notable moments in his career, and what artists should look for in a producer.
KEXP’s Production Manager Jackson Long discusses his booklet called 'Hiding in Plain Sight—Studios of Seattle & Tacoma.'
On the show this time, it’s the dark-noise rowdy-rock of Sydney duo - Party Dozen.
Bratmobile was one of the most visible bands of the feminist punk riot grrrl movement in the early 1990s.
On the show this time, it’s the collaborative Mali meets world music of Vieux Farka Touré.
The Seattle band Brad released their final record following the death of singer Shawn Smith.
On the show this time, it’s the spell-binding heavy-rock of All Them Witches.
Emily Fox and KEXP DJ Troy Nelson break down KEXP’s top played songs of the summer.
On the show this time, it’s the Mexican-American indie-folk of Portland’s Y La Bamba.
Author Peter Blecha talks about Stomp and Shout—R&B and the Origins of Northwest Rock and Roll.
On the show this time, it's the experimental-noise meets classic-rock-that-really-rocks, of the legendary Deerhoof.
