We wrapped up day two of the OFF Festival in Katowice, Poland in the wee hours of the morning, tired but very happy and with the desire to reflect on the many positive aspects of the festival. We have been so impressed with OFF Festival, not just because of the high caliber of the lineup but also i…
Seattle natives Iska Dhaaf now live in New York, but they still introduce themselves as a band from Seattle. This theme of sticking to your origins was found throughout their set at Sasquatch! Music Festival Monday afternoon. The group now takes the stage as a four-piece, a fitting change as their …
Arto Lindsay, the guitaring/singing half of the art-pop duo Ambitious Lovers, is one of my favorite - and one of the most underrated - musical artists of the late 20th century (he has gone relatively quiet in the past decade or so, although some recent posts on his facebook page instill hopes that …
Raising money is fun! As we think of new ways to connect KEXP supporters with their favorite artists during our KEXP's New Home campaign, no idea is off the table - not even bowling with Shakey Graves. As it turns out, the young Texas troubadour and his band are big-time bowlers, so much so that th…
At KEXP, we like to brag a little bit that we were among the first radio stations to express undying love for HAERTS. After "Wings" dropped at the beginning of 2013 and we put it on repeat for weeks, we knew we had to grab them later in the year at CMJ. But just a few weeks ago, HAERTS finally emba…
You'll never hear the sound of yearning like you will through the sonic lens of Daughn Gibson. The one-time trucker from Nazareth, Pennsylvania, is a new signee to Sub Pop, and this week, he releases his second LP, Me Moan, his first for the label. Gibson is a curiosity - his Sub Pop bio reads like…
Toronto’s BADBADNOTGOOD’s first headlining show in Seattle proved that they have come a long way from their viral-video rap-cover roots, as the three-piece made some serious noise tearing through several familiar covers and even more originals from their debut album, III. With only a drum kit, elec…
Recurring is the final album by Spacemen 3 -- released after their parting of ways -- and the third album of theirs I've covered in this space (see also here and here). I could talk about the band's acrimonious split and the genesis of Spiritualized, or the fascinating details behind Spacemen 3's M…
Our long-time musician friend, David Bazan, stopped by the KEXP studios the other day to play synth-ethereal songs off his new album, Blanco, which he so Bazanly described before the session as "basically electronic music with sadness." No surprise there! If you know anything about the man you know…
Decibel Festival's Optical showcases serve to remove the notion that electronic music is simply made for dancing. Instead, they present an array of musicians who specialize in everything from neo-classical to drone to ambient to horror soundtracks. For its 10th anniversary, Decibel brought back bel…
Toronto rave gods Crystal Castles are known for their brutally intense live show. Alice Glass smokes nearly an entire pack of cigarettes on stage and makes some good progress on a bottle of Jack Daniels, while Ethan Kath barely looks up from his table, making sure that every pulsing bass drop shake…
Formerly titled “Music That Matters,” The Weekly Mix delivers a wonderfully eclectic mix from the knowledgeable KEXP DJs straight to your ears. With a range of themes curated by a different DJ each week and featuring genre-defying artists from around the world, The Weekly Mix helps you cut through …
There is no group of people more passionate at festivals than Australians. Ineffably, Aussie bands and fans always give notable performances and serve as fervent audience members, which is why Cloud Control felt like they were playing the steps of the Sydney Opera House instead of the much-smaller …
At the end of Alabama Shakes' set at Marymoor Park, there was a conspicuous absence: their biggest hit. "Hold On" just isn't the song that introduced the band to a wider audience, it's still one of their greatest moments. On paper, its omission is bewilidering to say the least. (Hell, even the noto…
With a bright blue mantra and neon promise to boot, Cut Copy return this year with their fourth LP Free Your Mind. Dan Whitford and the gang don't seem to be slowing down much in their second decade together. Zonoscope, the band's 2011 award-winning classic, took the band's one of a kind combinatio…
Yes, yes, we're all excited that the Postal Service is playing tonight at Key Arena. But did you know that long before the Postal Service there was a band from Chicago called The Service? Neither did I until just now, but based on Trouser Press's description, this sounds like an '80s college radio …
Latin-infused Americana band Calexico and folk singer-songwriter Sam Beam, better known as Iron & Wine, are gearing up to release their debut collaborative full-length, Years to Burn. The record comes 14 years after they released the EP In the Reins and is due for release on June 14 via Sub Pop…
Only two songs into the Long Beach rapper's performance and it was clear that the first big crowd of Sasquatch 2016 belonged to Vince Staples' ferocious sunset slot, Dressed in his usual onstage uniform of black pants and a white "Street Justice: Have A Taste", Staples breathlessly ran through cut…
Kendrick Lamar has developed very quickly to one of the most intelligent and humanely aware persons of our generation. This is only what we have been able to see. Kendrick has developed through his whole life, every experience, to what he is now, and he keeps us updated through his music. Following…
Is there any band that has defined the sounds of early 80s like New Order? From the post-punk roots of "Ceremony" to "Age of Consent", and the new-wave brilliance of "Blue Monday" to "The Perfect Kiss", New Order are the figurehead of an era. They extended their reign through 1993's Republic, where…