The sun came out last Friday to set the perfect scene for KEXP and Seattle Center's second in the Concerts at the Mural series. With only the Space Needle and sun overhead, fans came out to see Minneapolis' earth friendly indie rock band Cloud Cult headline the concert. The KEXP favorites took the …
Save for the jam band-heavy lineup of the festival's inaugural year – it's weird to think about now, but in the early 2000s, jam bands were as prominent at festivals as EDM is now – Sasquatch has long been an indie rock heavy festival, and even though this year's lineup is slightly less heavy on gu…
On Subjective Concepts Olympia trio Strange Wilds have produced a faultless full length of feedback ridden, jagged jams that have helped bring a riotous, rebellious renaissance to Seattle’s notorious label, Sub Pop. To discuss the cover art, steeped in the same tightrope tension as the music, KEXP …
“Boy, the come down here was easy, like the arrival of a new day.” That’s how Adam Granduciel chooses to open the new album from The War on Drugs after a minute and a half of dreamscape Americana. As the listener, you could say the same thing. The Philadelphia band have always found a way to worm i…
New York indie rock gods Yeah Yeah Yeahs make their long awaited return this year with a bludgeoning of contradictions. The trio - made up of singer Karen O, guitarist Nick Zinner, and drummer Brian Chase - has made the books in recent history with indie rock anthems like "Zero", "Phenomena", and "…
Hardly anyone on the Seattle electronic scene does intimacy quite like NAVVI does. In the two and a half years since they started asking about our weekend plans, the duo of Brad Boettger and Kristin Henry has worked slowly and steadily on perfecting the tug of war that makes their vision of relatio…
A quick glance at the stage set up for Sunday evening’s show might’ve tipped one off as to the type of music they’d hear for the night. With no drums, no amps, and mostly classical instruments surrounding chairs and music stands neatly arranged in a semi circle across the stage, a rock show was cle…
The EMP Pop Conference covers a lot of ground in its panels, discussions, and presentations – where else could you find programming covering both a Missy Elliott retrospective and a roundtable seeking to find out what the worst song ever is? – so it only makes sense that for its Seattle artist show…
Listening to St. Vincent's new self-titled LP, I find it harder and harder to market Annie Clark's music to friends by method of comparison. On her past efforts, including 2011's excellent Strange Mercy and her breakthrough 2009 record Actor, Clark has stood out on the forefront of a brave, new wav…
Music and beer are a perfect pair. Add Seattle as a backdrop, and it gets even better. At Elysian’s 20th Anniversary event this past Saturday, fans of all three came together for a celebratory day at Seattle Center’s Fisher Pavilion. Festival attendees sipped Elysian brews to sets by Ming City Rock…
For quite a while now, I’ve been booking the KEXP Community Partnership Benefit Shows, but not once has one of the benefits fallen on my birthday. Well, this year I’m lucky enough to have this dream come true. So this Saturday, July 5th, I’m inviting you to come out and celebrate 36 years of my exi…
In recent years, few one-off side projects have led to the mass following and devotion that The Postal Service has mustered. Death Cab For Cutie frontman Ben Gibbard first teamed up with DNTEL mastermind Jimmy Tamborello back in 2001 for "(This Is) The Dream of Evan and Chan", from Jimmy's indie el…
KEXP was thrilled to be part of the Seattle spotlight on the CNN show Anthony Bourdain: Parts Unknown. Check out their visit to the Gathering Space!
The problem with cool stuff is there's always a process by which it becomes uncool. A handful of true artists perfect a craft and then an uncanny number of hackneyed copycats sample bits and pieces out of context and bastardize the whole thing to no end. This is maybe no better exemplified than wit…
It was another flawless Friday evening at last week's Concerts at the Mural event. The only thing brighter than the August sun was Seattle boys Bread & Butter, who delivered a performance of pure power pop joy. Youngsters Naked Giants defied everyone's expectations with an adrenaline-fueled per…
With the exception of maybe Kendrick Lamar's epic To Pimp A Butterfly cover, Tame Impala's Currents should win the award for 2015's best artwork. The Australian psych outfit are no stranger to great art - 2012's Lonerism sported a similarly self-describing title, on the outside of an iron gate look…
Nicolas Jaar is one of those young musicians who you can already imagine in 10, 15, 20 years as being an staple who is looked up to by musicians who are young when he is older. Not only did his most recent album, Space is Only Noise, reflect a seeping depth of influences, but it was incredibly matu…
“Hey Joe, sorry to hurt you, but they say love is a virtue, don’t they?” On The National’s new single “Sea of Love”, this quiet apology to a friend is a battle cry for affirmation of love. At this point, The National are indie rock legends, and themes of terrible love and trying relationship are no…
I Dreamed I Was A Very Clean Tramp is exactly the succulently-written, shit-talking, salty dog memoir you’d want from the man who dreamed and ignited punk. Richard Hell was a fun-loving little Kentucky cowboy as a kid, loving TV, growing up with peak period 60s Stones and Dylan LPs, dreaming of tak…
I've probably said this before, but this is kind of the perfect Review Revue album. Released on RR favorites Shimmy Disc (see also here and here and here and here and oh yes, over here), featuring members of Half Japanese, partially recorded at Inner Ear studios (okay, that's more of a me thing), b…
