DJ Alex guest curates a special "Pacific Notions" edition of The Runcast with a mix of ambient, neo-classical, post-rock, jazz, and blissful electronic songs to help guide your run.
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Last Thursday, Best Coast blasted the Showbox with that effortless cool and garage aesthetic that they have championed throughout the years, giving the audience the best of both worlds. With their latest album, California Nights, the California band marks their third release, but first on a major l…
In the seven years since Michael Angelakos shared the gooey valentine EP that was Chunk of Change, a lot has changed. Three albums later and the cute story backed by intriguing music has turned Passion Pit into the household name. Angelakos went from his bedroom to the frontman of a project that is…
Holy shit, Say Hi knows how to get the party started on a Friday night at 9PM! I honestly think I saw more empty drink cups and shot glasses lining the Barboza shelf of subwoofers tonight than I’ve ever seen at their weekly Saturday night dance gigs. In a city on a hill where we show the Rocky Horr…
At this pace, 2014 is well on its way to outdoing 2013 in new releases. The streak continues this week, topped by a terrific new album by Future Islands, which our Music Director, Don Yates, calls "a masterful set of impassioned, ‘80s-steeped electro-pop with glittering synths, streamlined guitars …
For Live on KEXP, Troy Nelson delves into the history of both rappers while speculating whether an ancient English stone has anything to do with the unique abilities of Blimes and Gab, who virtually perform five songs off Talk About It.
Jenn from KEXP’s Sonic Reducer brings you a spring awakening of punk songs from the past year, including The Serfs, Shopping, Futuro, Taqbir, and more.
Black Constellation member JusMoni reads an original piece, “Mac Dre was one of God for us” over Erik Blood’s song “The Exchange” featuring Palaceer Lazaro (Ishmael Butler) and Tendai Maraire.
This week, Sound & Vision host Rachel Stevens shares songs from MIA, Clairmont the Second, and LIVt