Over the years, Joseph Arthur has been such a frequent guest at KEXP that we consider him family, so it's no surprise to us he's taken the idea as the theme of his latest album, The Family, on which he entwines fact and fiction to explore these universal ties. For Joseph, the new LP also represents…
Though they hail from Los Angeles, Dengue Fever are like Cambodian ambassadors to the Pacific Northwest. On their recent return to the KEXP airwaves, the six-piece seemed right at home, even in our new studio. The band's instrumentation is uniquely cinematic, a multicultural modernization of the ps…
Few bands are more iconic in Iceland than GusGus. Starting some 20 years ago, more arts collective than musical act, GusGus broke from their cinematographic origins and through to mainland Europe and the world in the mid 90's with their eclectic electronica assembly of techno, deep house, dance-pop…
A far cry from the "bedroom setup" they used to record their debut album, which took the world by storm in 2011, Django Django recently released the studio recorded Born Under Saturn, with a more confident and much bigger sound. The London four-piece didn't let fame or external pressures influence …
When asked how they deal with the stress of extensive touring, Yelle quips, "We are planking. Every day." Maybe we should be taking notes. Hailing from Brittany, France, electropop duo Yelle (Julie Budet) and Grandmarnier (Jean-François Perrier) have captured a wide following in recent years with f…
I have a confession to make: Not unlike some KCMU DJs circa 1986, I am woefully ignorant of the career and voluminous musical output of Wanda Jackson, also known as the Queen of Rockabilly - or just the Queen of Rock. (Obviously I haven't been reading the KEXP blog enough, or this DJ El Toro review…
With their new release The Wanting, Seattle’s Nightmare Fortress have created the perfect blend of somber and emotionally intense sonic streams of grandiose grave wave soundscapes. Enthralled by this ambiguous and unnerving artwork, KEXP caught up with guitarist Cassidy Gonzales to discuss the maca…
"I just wanna keep very, very quiet," admits Aly Spaltro (a.k.a Lady Lamb) at the end of the fourth verse of "Billions of Eyes". It's not an inaccurate statement, but it also doesn't mean she won't get loud when she needs to. Spaltro builds intricate songs that move through dynamics and lyrics more…
The Twilight Sad have always specialized in making the darker side of humanity seem so grandiose and alluring, but they've never made gloom quite so emotive and magnetic as they do on their fourth album, Nobody Wants To Be Here and Nobody Wants To Leave. When the Scottish band brought six cuts from…
The name says it all with Boise's Treefort Music Fest — think intimate clubhouse, and since this is the Northwest, think very big tree. The line-up is tremendous: not just national acts, such as Foxygen, TV on the Radio, Viet Cong, Rubblebucket, Trampled by Turtles, and hometown heroes Built to Spi…
It has the makings of an indie movie plot: Hip musician dad records album with son while his wife undergoes cancer therapy. The real story is a bit more complicated, but that's essentially the backdrop of Tweedy, the latest project of Wilco frontman Jeff Tweedy and his son Spencer. The duo recorded…
Today marks the birthday of James Yancey, better known as J Dilla, one of the most influential hip-hop artists of this century. Just days after his 32nd birthday, back in 2006, the Detroit-based DJ and producer passed away, leaving an enduring legacy for others to follow. Above the nine albums he p…
In 1998, Old Crow Medicine Show were busking in front of Pike Place Market. In 2014, they're headlining the 2,800-capacity Paramount Theatre. Along the way, the Nashville, Tennessee-based group became one of the primary figures in the 2000s roots music revival, bringing the same energy from their b…
It's hard to imagine a better indie pop dream team than this – a multi-Grammy winning producer Danger Mouse (a.k.a. Brian Burton) and a beloved singer-songwriter James Mercer (of the Shins), each responsible for some of the most infectious songs you've heard in the past ten years, joining to create…
It's difficult to imagine Iska Dhaaf as only a two-piece, even when they're right in front of you. The sound of their full-bodied post-punk is supported by Benjamin Verdoes' (Mt. St. Helen's Vietnam Band) unique ability to simultaneously play the keyboard and drums. It takes a talented musician to …
"Holy lord that was loud," said DJ Sean of hardcore trio METZ's near-My Bloody Valentine level of noise. "I don't want to put too fine of a point on it. But it was loud." Only six months after their first visit to KEXP's studios, Alex Edkins, Chris Slorach, and Hayden Menzies were back in Seattle l…
It seemed so daunting when Joseph Arthur first talked about The Ballad of Boogie Christ during an in-studio session two years ago. Back then, he thought it might be a potential rock musical or even a "rock opera" about a man who was either enlightened or insane, and it was either going to be about …
Easily one of the best albums of the year so far, Muchacho most fully realizes the ideas, sound and aesthetic that Brooklyn (by way of Alabama)'s Matthew Houck has been developing for the past decade as Phosphorescent. Whether spare, lush, atmospheric or raucously barn-burning, the songs on Muchach…
With roots that stretch back to carefree two person jam sessions at Gasworks Park, the well-rounded Seattle septet Hey Marseilles has grown in the last nine years not just in size, but in the power and scope of their songwriting and performance. In this KEXP live in-studio performance they show wh…
This Tuesday, Portland synth pop band STRFKR kick off their tour in support of new record Miracle Mile at the Neptune with San Francisco electronic shoegaze artist Blackbird Blackbird. The bill is solid. STRFKR are back stronger than ever on Miracle Mile building off of the perfected pop textures w…
