Wow, another year of Bumbershoot action already over, and what a ride it was! This year's festival was truly a different beast. With the new overhead having a full year to strategize and plan logistics, it seemed like by day 3, a lot of these were starting to go out the window. Crowd rushing in the…
Now in its sixth year, KEXPort celebrates KEXP’s ongoing relationship with Kex Hostel in Reykjavik, where we broadcast every year during Iceland Airwaves. Typically, it's a music marathon consisting of 12 bands in 12 hours, but this year they've expanded the program to feature 15 bands over two da…
It's no surprise that British downtempo pop group London Grammar sold out their second Seattle show in six months Saturday night. Back when they played the Crocodile at the end of September, their excellent first full length If You Wait had just come out only weeks before in the states. Now that it…
KEXP listeners voted on their favorite albums from 2019 and we're counting them down. Where did your favorite album land?
Beach House, the Baltimore duo of Victoria Legrand and Alex Scally, are really into surprises right now. When pre-orders for Depression Cherry went up in the summer, the band's website featured hidden singles, buried in a song recommendation generator based on the user's selection of favorite past …
There are lots of reasons for two bands to tour with each other. For example, they might have a similar fanbase. Or, they might have a similar sound, and can cater to a single collaborative night of music fairly easily. Or, in the case of Los Angeles pairing Gardens & Villa and De Lux, they mig…
On October 2nd, Nathan Williams will release V, his fifth full-length effort as Wavves. Five albums deep, Williams finds himself at a bit of a crossroads. His 2013 record, Afraid of Heights, found him on a major label for the first time ever, writing bigger hooks, better sing-a-longs, and cutting t…
The problem with cool stuff is there's always a process by which it becomes uncool. A handful of true artists perfect a craft and then an uncanny number of hackneyed copycats sample bits and pieces out of context and bastardize the whole thing to no end. This is maybe no better exemplified than wit…
At KEXP, our editorial guidelines are more than just rules; they are a manifestation of our core mission, vision and values, brought to life through the power of storytelling.
Nine decades deep into the electronic music genre, and the most startling and effective instrument it uses is still the human voice. From the earliest days of sampling and vocal splicing to the revolutionary vocal manipulations of Bruce Haack and Kraftwerk up through the live vocal looping we've en…
Andrew W.K. is a brilliant capitalist. Need proof? Here's one: he's still a cultural zeitgeist even now in 2015. Generations have come to Andrew through a stunning variety of mediums. You may know him from his now-classic 2001 party soundtrack to end all party soundtracks I Get Wet, or from his con…
If you really think about it, Sufjan Stevens has made a living for over 15 years now asking one simple question: what should I believe? On his debut, A Sun Came, belief was an overcrowded canvas, wet with word vomit and impossibly complex to navigate (much like all of our minds). For the two state …
The deeper we get into Animal Collective's Painting With chapter, the more it feels like a real renaissance for the band. As the band themselves described it, the process for the new record felt natural and fun - a far cry for the laborious process it took to put forth Centipede Hz. Spending time i…
