The Vancouver band's fourth release in a little over two years is a high-concept ball of threadbare post-punk. In a special Friday edition of Throwaway Style, Martin Douglas explores the shades of green displayed on the album.
A Seattle underground supergroup of sorts, Big Bite take most of the best parts of Northwest rock music, stir them all around, and kick them up along with a cloud of dust. Their eponymous debut full-length is indicative of both their alchemy and ability to veer away from formula.
On the first new full-length under the beloved Dear Nora moniker in almost twelve years, Katy Davidson's songs are as riveting and alluring as they've ever been.
The Issaquah singer/songwriter vacillates between squall and sparsity in her detailed and heartbreaking work. Ahead of her Upstream Music Fest performance on Sunday, June 3rd, we take a look at singular and emotive work.
Each week KEXP's Music Director Don Yates and DJ Alex Ruder share brief insights on new and upcoming releases. See what's coming up this week below, including reviews for new releases from Parquet Courts, Courtney Barnett, Stephen Malkmus & the Jicks, and more.
On their new album, the Portland band breaks their signature post-punk with a hammer and glues it back together with dissonance.
Alex Scally and Victoria Legrand are seven albums into their career making music under Beach House. That, alone, could be considered a feat, but to do so with barely a misstep or negative review proves that Scally and Legrand are masters of their craft. 7 is the lush new album from the duo, out t...
After over a dozen full-length albums, Damien Jurado is still crafting impeccably written songs about both small and vast spaces and the people who occupy them. Listen to The Horizon Just Laughed in its entirety tomorrow at 8:30am on the Morning Show with John Richards.